Contact Information
- Office: LI 027
- Office Hours: Tuesday, 10am-12pm, and by appointment
- Phone: 856-0707
- Web: http://www.slis.indiana.edu/faculty/jawalsh/
- Blog: http://www.biblicon.org/
- Twitter: @jawalsh, @biblicon
Course Description
This course is an introduction to the use of digital information and communication technologies in literary and humanistic study. We will survey the field of digital humanities, from electronic scholarly editing; to the computational analysis of style, theme, and structure; to considerations of the cultural impact of information technology on scholarly discourse, publishing, and the academy; to the study of vituality and materiality of digital objects and their non-digital counterparts.
We will also study several specific technologies in detail, including eXtensible Markup Language (XML) and the Text Encoding Initiative. Students will be expected to generate critical work on subjects related to digital humanities and to perform some hands-on exercises using technologies common in digital humanities research.
Texts
Schreibman, Susan, Ray Siemens, and John Unsworth, eds. A Companion to Digital Humanities. Oxford: Blackwell, 2004.
Schreibman, Susan, and Ray Siemens, eds. A Companion to Digital Literary Studies. Oxford: Blackwell, 2007.
The above texts will be supplemented by online and reserve readings.
Assignments & Participation
Your grade will be based on 1000 points, distributed as follows:
- 200/20% Weekly Reporting / Reading Responses / Participation
- 200/20% Mid-Term Exam
- 150/15% Text Encoding Exercise and Reaction Paper
- 250/25% Term Paper
- 250-word proposal due April 4th
- Final paper due April 29th
- 200/20% Final Exam
Weekly Reporting / Reading Responses / Participation
Each week two students will be responsible for parts of class discussion. One student will be responsible for reporting on events in the digital humanities Blogosphere and Tweetville. The other student will be responsible for composing reading responses, including contributions from other students.
Blog/Tweet Reporting
Each week, a student will give a 20-30 minute presentation on activity in digital humanities blogs and tweets. You will provide a summary of activity on a number of blogs and twitter streams or focus on one very interesting blog entry or twitter stream. The report should be informal. You will discuss what you’ve found in front of the class. You can and should make use of the Web and do a bit of “show and tell,” taking us to sites mentioned in the posts and tweets and exploring on the Web what is discussed in the blog entry or entries. Feel free to post links to resources that you may be reporting on to the class through Oncourse. I maintain a list of digital humanities blogs in my Digital Humanities Resources page, but feel free to discover additional blogs on your own.
Reading Responses
A student will be responsible for composing and/or collecting from other students at least six reading responses, all of which should be at least a paragraph of a few sentences and include questions for discussion, not just commentary. The list of responses/questions must be posted to the class on Oncourse by 7pm the evening before class meets.
Class Presentation Schedule
See the class presentation schedule for your assigned weeks. If for some reason the schedule does not work for you, you are responsible for switching with another student and informing me of the change.
Mid-Term
Essay examination.
Text Encoding Exercise and Reaction Paper
An exercise in encoding a literary work in TEI/XML and a short (250-500 word) paper reflecting on the exercise.
Term Paper
2500-word paper on the topic your choosing (approved by instructor).
Final Exam
Essay examination.
Attendance and Participation
Students are expected to attend and participate in class discussions, and turn in assignments on time. One absence *or* one late assignment is permitted during the course of the semester. In this first instance, no explanation is required; on the other hand, no excuses will be accepted for subsequent absences or late assignments, and a half-grade penalty will be assessed for each absence or late assignment after the first, on the grade for the semester.
Letter Grade Definitions
All grades will be assigned according to the Indiana University School of Library and Information Science Definitions of Letter Grades.
Schedule
14 January 2011
- Whirlwind introduction to our course and digital humanities
21 January 2011, Perspectives on DH
- Busa, Roberto A. “Foreword: Perspectives on the Digital Humanities.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-1-2.
- Hockey, Susan. “The History of Humanities Computing.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-1.
- Ramsay, Stephen. “Who’s In and Who’s Out” and “On Building.” Read both posts and comments.
- #MLA11.
28 January 2011, Classics, History
- Crane, Greg. “Classics and the Computer: An End of the History.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-4.
- Crane, Greg. “Cyberinfrastructure for Classical Philology.” Digital Humanities Quarterly. http://www.digitalhumanities.org/dhq/vol/3/1/000023/000023.html.
- Thomas, William G., II. “Computing and the Historical Imagination.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-5.
- Cohen, Daniel J. and Roy Rosenzweig. “Introduction: Promises and Perils of Digital History.” Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: U of Pennsylvania P, 2005. http://chnm.gmu.edu/digitalhistory/introduction/.
4 February 2011, Literature
- Rommel, Thomas. “Literary Studies.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-8
- Price, Kenneth M. “Electronic Scholarly Editions.” A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-6-5&toc.depth=1&toc.id=ss1-6-5&brand=9781405148641_brand.
- Price, Kenneth M. “Edition, Project, Database, Archive, Thematic Research Collection: What’s in a Name?” Digital Humanities Quarterly. http://www.digitalhumanities.org/dhq/vol/3/3/000053/000053.html.
- Ramsay, Stephen. “Algorithmic Criticism.” A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-6-7.
11 February 2011, Materialities
- Kirschenbaum, Matthew. “Introduction: ‘An Awareness of the Mechanism.” Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008. 1-23.
- Hayles, Katherine N. “Print is Flat, Code is Deep: The Importance of Media-Specific Analysis.” Poetics Today 25.1: 67-90.
18 February 2011, Materialities
- Kirschenbaum, Matthew. “‘Every Contact Leaves a Trace’: Storage, Inscription, and Computer Forensics.” Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008. 25-71.
- Galey, Alan. “The Human Presence in Digital Artefacts.” Text and Genre Reconstruction: Effects of Digitization on Ideas, Behaviours, Products, and Institutions. Ed. Willard McCarty. Cambridge: OpenBook, 2010. 93-117.
25 February 2011, TEI Workshop
- Sperberg-McQueen, Michael and Lou Burnard. “A Gentle Introduction to XML.” from the TEI Guidelines.
- XML in 10 Points.
- Cummings, James. “The Text Encoding Initiative and the Study of Literature.” A Companion to Digital Literary Studies. London: Blackwell, 2007.
- Vanhoutte, Edward. An Introduction to the TEI and the TEI Consortium.
- Chapers 1-4 and 7 of the TEI Guidelines.
4 March 2011, TEI Workshop
- Chapters 13, 16, and 17 of the TEI Guidelines
11 March 2011, Mid-Term & Guest Speaker, Dot Porter, Associate Director for Digital Library Content and Services, IU Libraries
18 March 2011, Spring Break. No Class.
25 March 2011
- Drucker, Johanna. “The Virtual Codex from Page Space to E-space.” A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-5-5&toc.depth=1&toc.id=ss1-5-5
- Drucker, Johanna.”Introduction: The Background to SpecLab.” SpecLab: Digital Aesthetics and Projects in Speculative Computing. xi-xix.
- Drucker, Johanna.”From Digital Humanities to Speculative Computing.” SpecLab: Digital Aesthetics and Projects in Speculative Computing. 3-30.
1 April 2011
- Nowviskie, Bethany. “‘Inventing the Map’ in the Digital Humanities: A Young Lady’s Primer.” Poetess Archive Journal 2.1 (2011): n. pag. Web. http://paj.muohio.edu/paj/index.php/paj/article/view/11.
- Schreibman, Susan. “Digital Representation and the Hyper Real.” Poetess Archive Journal 2.1 (2011): n. pag. Web. http://unixgen.muohio.edu/~poetess/PAJournal/2_1/schreibman.pdf
8 April 2011
- Pitti, Daniel. “Designing Sustainable Projects and Publications.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-5-1
- Deegan, Marilyn and Simon Tanner. “Conversion of Primary Sources.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-5-2
- Nowviskie, Bethany. NEH Grant Proposal: “Institute for Enabling Geospatial Scholarship.” http://www.neh.gov/grants/guidelines/pdf/IATDH_UVa.pdf
15 April 2011
Project/Publication Pairings
- Henry III Fine Rolls Project
- Ciula, Arianna, Paul Spence, and José Miguel Vieira. “Expressing Complex Associations in Medieval Historical Documents: The Henry Iii Fine Rolls Project.” Literary and Linguistic Computing 23.3 (2008): 311-25. https://oncourse.iu.edu/access/content/user/jawalsh/Ciula%20et%20al%202008.pdf
- NINES: Nineteenth-Century Scholarship Online
- Wheeles, Dana. “Testing Nines.” Literary and Linguistic Computing 25.4 (2010): 393-403. https://oncourse.iu.edu/access/content/user/jawalsh/Wheeles%202010.pdf
22 April 2011
- Henry III Fine Rolls Project
- Ciula, Arianna, and Tamara Lopez. “Reflecting on a Dual Publication: Henry III Fine Rolls Print and Web.” Literary and Linguistic Computing Literary and Linguistic Computing 24.2 (2009): 129-41. [In Oncourse -> Resources]
- Online Chopin Variorum Edition (OCVE)
- Bradley, John, and Paul Vetch. “Supporting Annotation as a Scholarly Tool—Experiences From the Online Chopin Variorum Edition.” Literary and Linguistic Computing Literary and Linguistic Computing 22.2 (2007): 225-41. [In Oncourse -> Resources]
29 April 2011, Text-Image Linking Environment (TILE)
- http://mith.umd.edu/tile/. Explore the whole TILE website and especially the Documentation page.